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supported by 6 fans who also own “The Beast's Lamenting Dirge”
Most obscenely heavy shit I've ever heard. The good stuff.
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supported by 6 fans who also own “The Beast's Lamenting Dirge”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace!
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supported by 6 fans who also own “The Beast's Lamenting Dirge”
An absolutely crushing combination of death metal, post metal, doom, progressive, and black metal. They all melted in comprehesive unity with explosive riffs, vicious growls, frightening screams, joyless pianos, dark synths, thunderous bass lines, and bursting blast beats.
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The always-great label AD93 serves up a haunting LP from Jasmine Wood, dreamy songs built from sustained piano.
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This electro-rock project from a member of Feeble Little Horse is an unexpected blend of noisy guitars and glitchy live drums.
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Eyeball Planet
by Mother Iguana
A song cycle about insomnia, “Eyeball Planet” is full of lush, orchestral folk-pop that drifts by like a dream.
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supported by 5 fans who also own “The Beast's Lamenting Dirge”
Living proof of what one man can accomplish when he plays all of the instruments himself.
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